Julie Donec

La Belle Ferronaire #4

Here is the 'penumbra' layer, where the form starts to develop more fully. I've used the same mix as before, adding a bit more burnt umber to the mix, and going over areas to be darkened a number of times. I've kept the brush work fairly loose, but very thin. Compare this stage with the next, and you may see how the forms start to emerge. Remember to keeps your lights opaque, and your darks thin and somewhat lighter. Another good rule of thumb when working with this type of technique, (or any other for that matter), is to stand back from your work. One of my favourite portrait painters, was the American artist, J. Singer Sargent, who said he wore a 'track' into his studio carpet, pacing back and forth so he could view his work in progress from a distance. This helps establish the major mass tones, which gives the entire piece the correct foundation. When working in a classroom type situation, I often feel rushed. When I have more time, I feel I can really look at the piece, coming back to it a few days later, and suddenly I can clearly 'see' where I have gone off. What was acceptable on Monday, by Saturday is remodelled and refined. Given my habit of taking forever to do things, the shorter time line may be nature's way of helping me get things done. Whoever attains the model of perfection?....